Clay Lady in Blue in still in the works. It needs deeper values around the face, neck and leg. This is watercolor on 400# rough Windsor Newton paper, which really soaks up color. The shadow on the forehead (created by her robe) doesn't seem to fit -- so am open to suggestions. The seed pottery texturing was accomplished by floating raw sugar in pools of water; the texturing on the blue robe was created by sprinkling Kosher salt, letting it dry, brushing it off and then lightly sanding.
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